Exploring Illusion with Lucy Rose Kerr

“Ambiguity is uncertainty and it is vagueness, it contradicts the pillars of reality and the routine we are encouraged to believe in, but which are equally uncertain, a bigger illusion in fact.”

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Lucy Rose Kerr’s work pulls you in like a dark fairy tale; a storybook set in her native English countryside. Exploring realms of newness, otherness, and “stuffness,” as she calls it, the young artist oscillates between light and dark, fantasy and reality. There is a definite theme of polarity present in Kerr’s work, a certain balance of opposites. The ethereal installations and illusions offer a moody voyage into the artist’s mind, evoking feelings that shift subtly between daydream and nightmare. Kerr’s illustrations waver between the abstract and narrative, creating landscapes and worlds that are full of mystery. Kerr has the rare gift of creating work that leaves it largely up to the viewer to decide what they are seeing—forcing her audience deep into their own minds in order to process what is in front of them. Intrigued, we asked the clever, poignant artist a few more questions about her captivating body of work.

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Is Everything Art? Talking Trumpets, Humor, and New Media with Matt Starr

“This is my first interview off Adderall ever.”

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Matt Starr has been taking Adderall since he was 9 years old. When I finally reached the New York City based artist on the phone, he was exiting a subway station and apologized for the noise. “Sorry,” he said, “I’m trying to buy a trumpet and I keep getting lost.” It seemed like a fitting introduction. When confined to the limits of language, he describes himself as a New Media Artist and Conceptual Comedian. Looking to his work, it’s easy to understand why words don’t quite suffice to capture everything that he creates. For Starr, it’s not the medium that matters as much as the message behind it. Whether it’s an installation, video projection, conceptual brand, or the pioneering of a fashion movement dedicated to a regression back to infancy, Starr uses whatever tools he needs to get the job done. Sometimes that tool is a bottle of Pepto Bismol; other times it’s a FaceTime conversation with super model Cara Delevingne. Starr effectively and creatively engages his audience, mastering a perfect balance of popular culture and quotidian comforts. His use of familiar objects, places, and even sentiments democratize his work for the masses, and it’s hard to view his art without smiling, cringing, agreeing, or simply wanting to know more. He is quirky and intelligent, playful yet sharp. Starr’s wit and humor shine through, and we enjoyed getting to ask him a few more questions regarding the nature of his work.

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